Palavras chave - An Overview

From the famed initial stanza of the free of charge-form poem, Pessoa makes a framework for what he needs the most among the his rambling and melancholy: for his feelings and marvelous goals contained in his uninteresting appearance for being found; however at the same time, he is familiar with he isn’t worthwhile. On top of that, he thinks the world doesn’t are worthy of

You can find references to historical figures for example Napoleon and Christ, emphasizing the speaker's perceived grandiosity and intellectual pursuits.

Diante da imensidão de possibilidades proporcionada pela vida moderna, o sujeito parece perdido num manancial de hipóteses. Esse trecho fala da sensação de estarmos diante de muitos caminhos e do sentimento de nos percebermos paralisados com tantas escolhas.

This reflection potential customers them to problem the credibility of their own individual goals and ambitions. They issue their own existence, evaluating on their own to inmates in an asylum who possess unwavering certainty.

Esse trecho é importante porque fala do estado de espírito do sujeito, da sua autoimagem, da sua autoestima e de como se conhecia tão bem a ponto de evidenciar com tanta precisão as suas falhas de caráter e de personalidade.

You will find references to Loss of life, fate, and also the inevitability of everyday living's issues and uncertainties. The imagery of "umidade nas paredes e cabelos brancos nos homens" (dampness on the walls and white hair on Adult men) implies the passage of your time along with the decay that accompanies it.

Um dos poucos momentos otimistas do poema, onde o sujeito esboça alguma alegria, acontece quando ele vê da sua janela uma menininha comendo candies alheia aos problemas existenciais dos adultos.

The speaker acknowledges their deficiency of reason or defined identification but asserts that inside them resides "todos os sonhos do mundo" (each of the goals of the planet), suggesting that despite their feelings of emptiness, they continue to have a limitless creativeness and capacity for dreaming.

O sujeito ainda tenta embarcar no caminho da felicidade inaugurado pela pequena, mas rapidamente volta ao seu estado inicial de tristeza brand ao tirar o papel de prata, que constata ser de estanho.

something in tabacaria life. This poem is the most well known that expresses the latter. All Campos poems can occur off as manic-depressive, aggravated, and a feeling of worthlessness – this poem embodies all of it.

Tobacco outlets can be found on all city streets, Mixing in with the surroundings the poet observes. While his head is so Lively, this sort of mediocrities surround him, producing himself feel even more alienated.

to listen to him possibly, Therefore making a paradox and forcing Pessoa to examine his very own little “entire world of goals” concealed from all.

One of many poet’s continual preoccupations is that of id: he would not know who he is. The problem, it seems, will not be that he doesn’t determine what for being; on the contrary: he wants to be excessive, every thing; short of obtaining this he despairs.

Campos was one of the most significant of Pessoa’s heteronyms as well as the one closest to his accurate heart and person."

Through the entire tune, There exists a recurring theme of failure and self-question. The speaker demonstrates on missed prospects, the limitations of their own skills, as well as the multitude of others who may have identical ambitions and aspirations.

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